Bordwell and Thompson's Theory - by Gemma Flinders

Bordwell and Thompson's Theory

Graphic

The transitions between each shot can be linked though the same ‘pictorial qualities’ like shape, patterns, and movement of light and can also cause abrupt cuts when contrasting qualities are used.
Graphic Match: this cut emphasises the relationship between the graphic similarities of the shots.

Graphic Continuity: this is when there centre of interest stays the same which helps establish a sense of continuity (and sometimes narrative).

Graphic Discontinuity: this is when contrasting colours and shapes are used in the following shot.

Spatial
This transition is how each shot relates to each other through its setting and location.
Continuity Editing: usually an establishing shot followed by a range of small range shots that are shown to be in the same location and time frame.
Kuleshoveffect: here there is no establishing shot but the audience assumes that it is the same time and location.
Cross Cutting: this is where separate places are being shown parallel to each other. Usually shows what is happening at different locations during the same time frame.

Temporal

This is when the time of the action in manipulated. It is usually done through flashbacks or flash forwards and can be used to create or answer questions. Ellipsis in time are often used which removes any boring activities which the audience would just assume they have done.
Empty frames: this shows the figure of interest moving out of the frame followed by them walking into an empty frame usually in a different location.
Cutaway: this shows a shot for a small amount of time of an event happening elsewhere.

Rhythmic
This is the duration of each shot in relation to the beat or tempo. It can create tension when the length is steadily increasing or excitement when it is becoming shorter. When a shot is cut on the beat it creates a smooth flow and when it is cut off the beat it usually feels abrupt and incomplete.